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Cannes 2022

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260 articles available in total starting from 15/06/2021. Last article published on 23/09/2022.

Emin Alper • Director of Burning Days

Interview: Emin Alper • Director of Burning Days

"This film is completely about a society which is dominated by men and their inner conflict"

CANNES 2022: The Turkish filmmaker discusses gender and social status (and the disadvantages that come from them) to give us the lowdown on his latest film  

31/05/2022 | Cannes 2022 | Un Certain Regard

Marie Kreutzer  • Director of Corsage

Interview: Marie Kreutzer • Director of Corsage

“Even in my serious films, I like to create some laughter”

CANNES 2022: The Austrian director talks about blending drama and humour, Empress Elisabeth’s journey to freedom – and dogs  

31/05/2022 | Cannes 2022 | Un Certain Regard

At Cannes, experts discuss the circulation of European titles

At Cannes, experts discuss the circulation of European titles

CANNES 2022: The two-hour conference, organised by the European Audiovisual Observatory, explored in depth the figures, the challenges and the best practices behind the circulation of European films  

31/05/2022 | Cannes 2022 | Marché du Film

Review: Will-o’-the-Wisp

Review: Will-o’-the-Wisp

CANNES 2022: Portuguese filmmaker Joāo Pedro Rodrigues’ latest effort is a queer musical-fantasy about a dying king, set suggestively in the year 2069  

31/05/2022 | Cannes 2022 | Directors’ Fortnight

Erige Sehiri  • Director of Under the Fig Trees

Interview: Erige Sehiri • Director of Under the Fig Trees

“There is no sign of modernity in nature; it’s in these women, and especially the young girls”

CANNES 2022: The French-Tunisian director and producer breaks down several aspects of her beautiful and timeless narrative feature debut  

31/05/2022 | Cannes 2022 | Directors’ Fortnight

Anette Novak  • CEO, Swedish Film Institute

Interview: Anette Novak • CEO, Swedish Film Institute

“Cinema carries all the other art forms, which makes it the most special art form of them all”

CANNES 2022: The new CEO of the institute embarked on her first edition of the French festival, with open eyes, a keen mind and some specific questions in her baggage  

31/05/2022 | Cannes 2022 | Marché du Film

Review: The Natural History of Destruction

Review: The Natural History of Destruction

CANNES 2022: For his latest archive-derived doc, Sergei Loznitsa focuses his attention on the Allied bombing campaigns on German cities during World War II  

31/05/2022 | Cannes 2022 | Special Screenings

Jasmine Trinca  • Director of Marcel!

Interview: Jasmine Trinca • Director of Marcel!

"I wanted to talk about a woman who doesn’t have her limits imposed by the society... but has others"

CANNES 2022: The Italian actress talks about her first steps as a feature film director with a tale of a special mother-daughter relationship  

31/05/2022 | Cannes 2022 | Special Screenings

How can France entice its audiences back to the movie theatres?

How can France entice its audiences back to the movie theatres?

CANNES 2022: The fall in attendance levels in France is no foregone conclusion, as the digitalisation of marketing and making ticket sales paper-free are just some of the directions suggested  

31/05/2022 | Cannes 2022

Why are French people going to the cinema less often?

Why are French people going to the cinema less often?

CANNES 2022: The CNC has unveiled the results of an interesting qualitative analysis of the reasons why certain French viewers are not returning to the dark rooms  

31/05/2022 | Cannes 2022

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